Passed down from one generation to another, Indian folk art is still alive in many parts of the country. Being culturally diverse and distinct, a variety of art forms have evolved over the years; some untouched by modernisation, some adapting to new paint colours and materials. Each depict religious epics or Gods and Goddesses mostly, but they’re all unique, admirable and inimitable in their own might. In the days of yore, they were made with natural dyes and colours made of soil, mud, leaves and charcoal, on canvas or cloth – giving it a sense of antiquity, vintage nostalgia. Here’s a look at 10 folk painting forms that are still practiced in select parts of the country:

Madhubani

Also called Mithila art, it originated in the kingdom of Janak (Sita’s father in Ramayana) in Nepal and in present-day Bihar. It is one of the most popular Indian folk arts, practiced mostly by women who wanted to be one with God. Characterised by geometric patterns, this art form wasn’t known to the outside world until the British discovered it after an earthquake in 1930’s revealed broken houses with Madhubani paintings. It mirrored the work of Picasso and Miro, according to William G. Archer. Most of these paintings or wall murals depict gods, flora and fauna.

Miniature Paintings

These paintings are characterised by its miniature size but intricate details and acute expressions. Originating in the Mughal era, around 16th century, Miniature paintings are influenced by Persian styles, and flourished under Shah Jahan and Akbar’s rule. Later, it was adopted by Rajputs, and is now popularly practiced in Rajasthan. As with other art forms, the paintings depict religious symbols and epics. These paintings stand out as humans are portrayed with large eyes, a pointed nose and a slim waist, and men are always seen with a turban.

Phad

Originating in Rajasthan, Phad is mainly a religious form of scroll painting depicting folk deities Pabuji or Devnarayan. The 30- or 15 feet-long canvas or cloth that it is painted on is called phad. Vegetable colours and a running narrative of the lives and heroic deeds of deities characterise these paintings.

Warli

Originated by the Warli tribes from the Western Ghat of India, in 2500 BCE, this is easily one of the oldest art forms of India. It is mainly the use of circles, triangles and squares to form numerous shapes and depict daily life activities like fishing, hunting, festivals, dance and more. What sets it apart is the human shape: a circle and two triangles. All the paintings are done on a red ochre or dark background, while the shapes are white in colour.